Preto e Branco #4 Film Noir.

1. Richard Diamond. Buddy Morrow. 1957.
2. Staccato's Theme. Elmer Bernstein. 1959.
3. Smog. Piero Umiliani & Chet Baker. 1962. Italian Movies.
4. Adagio Ma Non Troppo. Charles Mingus. 1972. Let My Children Hear Music.
5. Chocolate Shake. Freddie Hubbard. 1963. The Body & Soul.
6. French Quarter. Alex North & His Orchestra. 1951.
7. Late At Bailey's Pad. Warren Barker. 1958.
8. The Big Heist. Henry Mancini. 1961.
9. Blues All'Alba. Giorgio Gaslini. 1961.
10.Experiment in Terror. Kai Winding. 1962.
11.The Killer. Lalo Schifrin. 1965.
12.La Mort. Martial Solal. 1960.
11.Taunting Scene. Stan Kenton & His Orchestra. 1961.
12.Shoot To Kill. Quincy Jones & His Orchestra. 1965.

http://archive.radiozero.pt/pretobranco_20060331.mp3

O Preto e Branco #4 tenta recriar o ambiente do cinema negro, mesmo que as músicas apresentadas não sejam obrigatoriamente retiradas desse género de filme.

"Noir protagonists are seldom creatures of the light. They are often escaping some past burden, sometimes a traumatic incident from their past or sometimes a crime committed out of passion. Occasionally, they are simply fleeing their own demons created by ambiguous events buried in the past. Whatever the source of the problem, these characters seek concealment in the dark alleys and dimly lit rooms that proliferate in the world of noir. The past to a noir protagonist is no fleeting phantom. It is real and tangible and menacing. In the noir world both past and present are inextricably bound, as it is in the novels of the great French writer Marcel Proust and the work of pulp romantic Raymond Chandler (who called Proust a ‘connoisseur of degenerates’). One cannot escape one’s past, no matter how much he or she might try. And only in confronting it can the noir protagonist hope for some kind of redemption, even if it is at the end of a gun."
Alain Silver and James Ursini.